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“The Hunger Games” costumer Judianna Makovsky combines past, current looks for film

23 Mar

Today opens the much-anticipated (and hyped) film  “The Hunger Games,” a dystopian fantasy where poor young people are pitted against one another in a battle to the death.  But have you noticed what they’re wearing?  I certainly have noticed, and not necessarily the garb on the star-crossed young folk, played by Jennifer Lawrence and Josh Hutcherson (who, in the story, are given their own stylists), but also the clothing and coiffures on actors Stanley Tucci, Wes Bentley, and Elizabeth Banks….

Poor horrible, horrible Effie. I'd rather fight for my life than have to wear this get-up. yeesh!

I’ve been fascinated by the horrific-looking Effie Trinket,  that Ga Ga-esque fuscha nightmare, replete with leg-o-mutton sleeves like I haven’t seen since the 1980′s.  What about Tucci’s blue samurai haircut, Bentley’s weird facial hair, and that the residents of District 12 look like they stepped out of a King Vidor film of the 1930′s.  Well, there’s no coincidence here.  Costume designer Judianna Makovsky (also the costume designer for the Harry Potter films), spoke about her work and influences to the Los Angeles Times and InStyle.com , with the latter of the two a little more (perhaps inappropriately) enthusiastic about translating the film’s looks to our world.

Makovsky, however, was most interested in keeping the looks consistent with descriptions in the book.  For Katniss Everdean’s “girl on fire dress” Makovsky says:  “I wanted the dress to be red, but not so covered in stones that it would look like something out of Dancing With the Stars…”  And, of course, the dress doesn’t actually burst into real flames–CGI helped in that department.

Many of the designers who influenced Makovsky’s “Capitol Couture” fashions include Alexander McQueen, Jean Paul Gaultier, Rodarte, and Elsa Schiaparelli, queen of surrealist fashion design in the 1930;s and 40′s.  So it’s no wonder that I’m seeing the 1980′s, since Gaultier and McQueen’s work was highly influential back then–and certain motifs and themes keep getting recycled into 21st century fashion.  The Capitol dwellers have been described as “opulent” and other word to connote their high-fashion status.  But with the colored-hair wigs (green, pink, etc) I can’t help but think of the sad-looking women with bizarrely colored wigs in Stanley Kubrick’s classic A Clockwork Orange–another dystopian society movie with kids as the main focus.

A purple-haired pub waitress in Stanley Kubrick's "A Clockwork Orange."

Wardrobe for Katniss and other District 12 dwellers is most definitely influenced by workwear of the past.  Makovsky looked at photos from that time period, to get a better sense of everyday fashion. Since there are always more regular folk than fashionistas, the numbers of costumes for the extras (as well as the principals) came from a combination of vintage finds and costumes hand-made and fitted for the film.  With roughly 600 charater extras, there wound up being a total of 1800 costumes just for this group alone!

Makovsky says she hopes that many of the costumes will go on display somewhere after the movie.

Yet there’s another rather silly and superfluous side to all this great costuming.  Lion’s Gate, the Hunger Games film company, decided to go all out with their social media promotions for the film, including a tumblr titled Capitol Couture.  This has to be one of the worst sites I’ve ever seen: everything from the dull colors to the District Style Challenges screams promotion desperation.

Seriously, this is a dystopian film.  Lots of people get killed.  You want to dress like the idiots of the Capitol and the “citizens” who are marked for death?  Really?  That kind of promotion seems tacky and jaundiced, and almost seems to highlight an ironic mocking of fans and moviegoers.  Same can be said for a feature at InStyle.com, which talks about Katniss’ spring style.  Really???  That’s like the Lisabeth Salanader look for H&M.    All I can do is chalk this stuff up to the annals of “When Film Promotions Go Horribly Wrong.”    If film companies and p.r. departments are looking to capture some sort of fashion zeitgeist of these films, they really can’t.  The looks speak for themselves, and audiences will adopt those looks if they find them cool.  Companies cannot manufacture that kind of fashion passion.  It just happens.  Trying to manufacture it only makes them look like the people we’re supposed to be rooting against in films like The Hunger Games.  How Ironic.

 

New York Fashion Week rolls on with full slate of video simulcasts, apps, and more

10 Feb

Sorry for being a bit remiss in posting about New York Fashion Week.  My intention was to actually go to NYC for a

Nicki Minaj and Anna Wintour size up a collection at Fashion Week

couple of days and do something like an outsider report (naturally, as I have no invites, so I would definitely be “outside.”)  Given the vicissitudes of my current lack of fortune, travel was well-nigh impossible.  So like a lot of y’all I’m watching from a distance (most frustratingly unfortunately.)

Lots of shows will be simulcast on iPad or on the good ole Internet.  Here’s the New York Times Schedule for the week, listing some of the bigger shows.

Style.com will be simulcasting Jason Wu’s show today at 1p.m  I’ll be very interested to see what Wu has for Fall 2012, esp. since his collection for Target of which I was rather under-whelmed.

Most of Target’s capsule collections are geared towards the very young and very thin.  :-\   Which leaves the rest of us with their usual blah basics.

Vogue also has its own coverage, as does Women’s Wear Daily.  I’m keeping a particular eye on the Ready to Wear collections, which are closest to what we might see in the stores for Fall.

There are also a bunch of apps for iPad and Android, tie ins with Facebook, etc., etc.  It’s pretty much media overload for anyone who isn’t attending Fashion Week.

But there’s nothing like actually being there, and actually getting a bit of swag from here and there, or taking advantage of other little things that might be offered to The Great Uninvited.

Oh, well, maybe I’ll be there for the next one….

(photo h-t Mercedes Benz Fashion Week)

Carine Roitfeld is my fashion soul sister! (well, kinda…..)

7 Feb

Well, ok…I haven’t worked at a fashion magazine ever, and I’ll probably never get closer to Karl Lagerfeld than I did when I almost tried on one of the dresses from his Macy’s capsule collection.  But when I read that Carine Roitfeld, former Editor-in-Chief of Vogue Paris,  is planning a new magazine, slated for launch in September and wants to be “the link between the runway and the real woman,”  well, I almost died…

One of the reasons I started High Fashion, Average Woman, is to experiment a bit with fashion journalism to see if a fairly average woman with good taste and personal style could actually write something that other women would find fun and somewhat helpful as they, too try to navigate the crazy world of the fashion and beauty industries.  Too often I hear from women friends of all ages  and geographic locations about how they don’t understand what’s going on in fashion; question why clothes don’t fit nor flatter their figures; and if there is any sense to even trying to look good when everything looks recycled from previous generations’ bad fashion closets.  Granted, I don’t keep up with this blog as much as I should, but my goal has been pretty lofty and I’m not making any money from this particular venture.  So I get to it when I can.

And I think , for the most part, that I’m meeting my goals here…

So, I’m really glad to see that Roitfeld is planning to use her knowledge and experience to perhaps help us navigate what the heck is going on in fashion and beauty.  In the meantime, I’ll keep up my end of the deal and continue to write here.  Who knows what might happen–you know what I mean? ;)

(h-t to Fashionista.com)

Fashion documentaries tell stories about ageing, impact of images, and self-esteem

15 Dec

There are three great documentaries out now, or coming out in the very near future, that frankly discuss the impact of our youth-obsessed culture on women’s sense of self and well-being.   The first of these fascinating documentaries is About Face, where legendary models Jerry Hall, Isabella Rosellini, Marisa Berenson, Carmen Dell-Orefice and Paulina Porizkova discuss everything from getting older and getting plastic surgery to the insanity of the modeling industry:

The next doc comes from the Media Education Foundation (located in Northampton, MA.) In Killing Us Softly 4: Advertising’s Image of Women media critic Jean Kilbourne looks at recent images of women from magazines and the impact those images have on women’s self-esteem:

And finally, one you may have already heard of because of Oprah Winfrey’s endorsement of it and subsequent airing on OWN is Miss Representation. Writer and director Jennifer Siebel Newsom posits that mainstream media’s representation of women in “limited and disparaging portrayals” hinders women’s ability to achieve positions of leadership and undermines the average woman’s ability to feel powerful herself. Siebel presents some shocking stats (65% of women and girls have disordered eating behaviors) as well as interviews with girls and women across a wide spectrum of those in the public eye (Katie Couric, Rosario Dawson and Nancy Pelosi to name a few):

Nowadays, it’s hard to turn one’s face away from media: it’s not just our televisions any more. It’s also on our computers and our smartphones. We carry media with us daily, and marketers and advertisers, who do not know where or on which device to target us, are looking for more and more ways to grab our attention–without thinking of the consequences of the images and messages they are sending. Nowhere is this more evident in the billion-dollar a year fashion industry. Women and girls must find ways to work together, to use media to our advantage, and begin to show the fashion industry that we want to see better representation of who *we* are, not just idealized versions of who they desire women to be for their business models.

Curvy cover girls grace June Vogue Italia

6 Jun

I was super shocked to see these gorgeous pics of real, curvy women from the June 2011 Vogue Italia shot by photographer Steven Meisel. . .

Lately (in the U.S. anyway) “curvy” has become synonymous with extremely overweight. While that may make women who are extremely overweight feel good about their figures, it ends up giving many of us who are actually curvy a bit  of a complex about being curvy.  I can certainly empathize with extremely overweight women –to a degree–but I also feel really, really peeved that we have this either/or thing in our world: either you are skinny and fashionable, or curvy and grossly overweight. This either/or malarkey does nothing for those of us who are somewhere in between no breasted boyish bodies and over-fed overweight bodies.  Here’s one of the shots so you can see what I mean:

most men think this woman's sexy. so, why doesn't the fashion industry?

And check out this slide show on the Vogue Italia site to see some of the controversy that’s been stirred up.

(hat tip to Fashion Gone Rogue )